- •I type a full stop, take a sip of coffee, and turn to the second page of the press release.
- •Extract 2
- •Extract 3
- •I should say something. I should say, “Janice, I don’t fancy Tom. He’s too tall and his breath smells.” But how on earth can I say that?
- •Extract 4
- •I’m absolutely stunned. I’ve never seen anything like this at a press conference. Never!
- •I head toward the back to get another cup of coffee, and find Elly standing by the coffee table. Excellent. I haven’t seen Elly for ages.
- •I’m sorry, but I can’t go and sit back down there. I have to hear about this.
- •Extract 5
- •I stare at him blankly.
- •I have never before worked so hard on an article. Never.
- •I can’t do this. I can’t speak to Luke Brandon. My questions are jotted down on a piece of paper in front of me, but as I stare at them, I’m not reading them.
- •I’ll show Alicia, I think fiercely. I’ll show them all, Luke Brandon included. Show them that I, Rebecca Bloomwood, am not a joke.
- •Extract 6
- •Extract 7
- •It’s basically my idea of heaven.
- •I close my eyes and, after a few seconds, feel a cool, creamy liquid being massaged into my face. It’s the most delicious sensation in the world. I could sit here all day.
- •I almost want to laugh at the incongruity of it. What’s she doing here? What’s Alicia Bitch Long-legs doing here, for God’s sake?
- •Is that me? Oh God, I don’t want to be a leading industry expert. I want to go home and watch reruns of The Simpsons.
- •I look around for support and see Rory gazing blankly at me.
- •I watch in a daze as he picks his way across the cable strewn floor toward the exit, half wishing he would look back.
- •Extract 8
- •Extract 2
- •Extract 3
- •Extract 4
- •Extract 5
- •I’ll just have a really quick look.
- •I mean, what is wrong with these people? Are they complete philistines?
- •Extract 6
- •It’s only as we're approaching a department entitled ‘Gift Wrapping’ that I realize what’s going on. When I said ‘gift’, she must have thought I meant it was an actual–
- •I take the card from her, and as I read, my skin starts to prickle with excitement.
- •Extract 7
- •I stare at him, agog.
- •I can’t tell him I’ve actually got three. And two on hold at Barneys.
- •Extract 2
- •I wish bridesmaids got to say something. It wouldn’t have to be anything very much. Just a quick ‘Yes’ or ‘I do’.
- •I’ve always been a teeny bit awkward around Tarquin. But now I see him with Suze – married to Suze – the awkwardness seems to melt away.
- •Extract 3
- •I glance into the mirror, feeling quite grown-up and proud of myself. For once in my life I’m not rushing. I’m not getting overexcited.
- •I remember that cake. The icing was lurid green and the lawnmower was made out of a painted matchbox. You could still see ‘Swan’ through the green.
- •I have never worn anything less flattering in my life.
- •Extract 4
- •Extract 5
- •Extract 6
- •Extract 7
- •I’ll be a grown-up, go along to the cake studio and break the news to her face to face.
- •I had no idea wedding cakes could be anything like this. I flip through, slightly dazedly, looking at cake after spectacular cake.
- •I can see Alicia’s brain working hard.
- •I can see Robyn and Antoine exchanging looks, and I’m dying to ask them what they think of Alicia. But... It wouldn’t be becoming in a bride-to-be.
- •If I’m really honest, hand on heart – I feel exactly like someone who’s going to have a huge, luxurious wedding at the Plaza.
- •I put the invitation into my bag and snap the clasp shut, feeling slightly sick.
- •I look at him, my attention finally caught.
- •Extract 8
- •I stare at him in utter stupefaction. What does he think he’s doing?
- •I stare at him in horror.
- •I follow his gaze, and see Danny’s brother Randall walking across the floor towards us.
- •Extract 9
- •I stare at her, momentarily halted.
- •I stare at the page, my heart pounding. It’s a typed sheet, headed terms of agreement. I look straight down to the dotted line at the bottom – and there’s my signature.
- •I haven’t said a word about anything to Luke. In The Realistic Bride it says the way to stop your fiance getting bored with wedding details is to feed them to him on a need-to-know basis.
- •I feel a stab of shock.
- •Extract 10
- •I put the phone down and smile at Robyn, who’s wearing a bright pink suit and a headset and carrying a walkie-talkie.
- •In fact, it’s completely true. I’m beyond nervous. Either everything goes to plan and this all works out. Or it doesn’t and it’s a complete disaster. There’s not much I can do about it.
- •I’ve never seen a wedding dress like it. It’s a work of art.
- •Extract 11
- •I reach out and hug her tightly.
- •I can't move. I can't breathe. I need my fairy godmothers, quick.
- •I don’t believe it. It’s Luke.
- •Extract 12
- •I feel a huge spasm of nerves as I see the familiar sign. We’re nearly there.
- •I’m getting married. I’m really getting married.
- •I freeze in terror, one foot inside the car. What’s happened? Who’s found out? What do they know?
- •I think I’m the happiest I’ve ever been in my life.
- •I feel a spasm of nerves inside. Here it comes. The last bit of my plan. The very last cherry on top of the cake.
- •Extract 2
- •Extract 3
- •Extract 4
- •Extract 5
- •Extract 6
- •Extract 7
- •Extract 8
- •Extract 9
- •Extract 10
- •Extract 11
- •I’m fantastically well-organised, basically. And very self-disciplined. The early bird catches the modeling contracts, after all.
- •Extract 13
- •I am such a deluded moron.
- •Extract 2
- •I draw myself up short with a jolt. “I’m sorry,” I say, and exhale sharply. “You don’t want to hear all this.”
- •Extract 3
- •I bet they do.
- •I was so totally mortified, I never told anyone. Especially not Mum and Dad.
- •Extract 4
- •Extract 5
- •I don’t think so.
- •Extract 6
- •Extract 7
- •I watch in total disbelief as Jack settles comfortably down on the rug. He was supposed to be rescuing me from all this. Not joining in. Slowly I sink down beside him.
- •I stare at her blankly. Since when have Kerry and I ever socialized together?
- •Extract 8
- •I am never visiting a zoo again.
- •Revenge is Sweet (by c. Fremlin)
- •It worked like a dream, exactly as she’d planned.
- •The Way up to Heaven (by r. Dahl)
- •For Services Rendered (by j. Deaver)
- •I can help you and you can help me...
- •I can help you and you can help me...
- •Makeover (by b. Callahan)
- •Interrupting her in mid sob, Monty said, “Hold on there, Steph. Gotta pay our bills. Time for a commercial.”
Confessions of a Shopaholic (by Sophie Kinsella)
Extract 1
“This high-yield, 60-day access account offers tiered, rates of interest on investments of over £.2,000,” I type onto the screen, copying directly from a press release in front of me. “Long-term savers may also be interested in a new stepped-rate bond which requires a minimum of £5,000.”
I type a full stop, take a sip of coffee, and turn to the second page of the press release.
This is what I do, by the way. I’m a journalist on а financial magazine. I’m paid to tell other people how to organize their money.
Of course, being a financial journalist is not the career I always wanted. No one who writes about personal finance ever meant to do it. People tell you they “fell into” personal finance. They’re lying. What they mean is they couldn’t get a job writing about anything more interesting. They mean they applied for jobs at The Times and The Express and Marie-Claire and Vogue and GQ and all they got back was “Piss off.”
So they started applying to Metalwork Monthly and Cheesemakers Gazette and What Investment Plan? And they were taken on as the crappiest editorial assistant possible on no money whatsoever and were grateful. And they’ve stayed on writing about metal, or cheese, or savings, ever since – because that’s all they know. I myself started on the catchily titled Personal Investment Periodical, I learned how to copy out a press release and nod at press conferences and ask questions that sounded as though I knew what I was talking about. After a year and a half – believe it or not – I was headhunted to Successful Saving.
Of course, I still know nothing about finance. People at the bus stop know more about finance than me. Schoolchildren know more than me. I’ve been doing this job for three years now, and I’m still expecting someone to catch me out.
That afternoon, Philip, the editor, calls my name, and I jump in fright.
“Rebecca?” he says. “A word.” And he beckons me over to his desk. His voice seems lower all of a sudden, almost conspiratorial, and he’s smiling at me, as though about to give me a piece of good news. Promotion, I think. It must be. He read the piece I wrote on international equity securities last week (in which I likened the hunt for long-term growth to the hunt for the perfect pair of summer mules) and was bowled over by how exciting I made it all sound. He knows it’s unfair I earn less than Clare, so he’s going to promote me to her level. Or even above. And he’s telling me discreetly so Clare won’t get jealous.
A wide smile plasters itself over my face and I get up and walk the three yards or so to his desk, trying to calm but already planning what I’ll buy with my raise. I’ll get that swirly coat in Whistles. And some black high-heeled boots from Pied a Terre. Maybe I’ll go on holiday. And I’ll pay off that blasted VISA bill once and for all. I feel buoyant with relief. I knew everything would be OK...
“Rebecca?” He’s thrusting a card at me. “I can’t make this press conference,” he says. “But it could be quite interesting. Will you go? It’s at Brandon Communications.”
I can feel the elated expression falling off my face like jelly. He’s not promoting me. I’m not getting a raise. I feel betrayed. Why did he smile at me like that? He must have known he was lifting my hopes.
“Something wrong?” inquires Philip.
“No,” I mutter. But I can’t bring myself to smile. In front of me, my new swirly coat and high-heeled boots are disappearing into a puddle, like the Wicked Witch of the West. No promotion. Just a press conference about... I turn over the card. About a new unit trust. How could anyone possibly describe that as interesting?
There’s just one essential purchase I have to make on the way to the press conference – and that’s the Financial Times. The FT is by far the best accessory a girl can have. Its major advantages are:
1. It’s a nice color.
2. It only costs eighty-five pence.
3. If you walk into a room with it tucked under your arm, people take you seriously. With an FT under your arm, you can talk about the most frivolous things in the world, and instead of thinking you’re an airhead, people think you’re a heavy-weight intellectual who has broader interests, too.
At my interview for Successful Saving, I went in hold-copies of the Financial Times and the Investor’s Chronicle – and I didn’t get asked about finance once. As I remember it, we spent the whole time talking about holiday villas and gossiping about other editors. So I stop at a newsstand and buy a copy of the FT. There’s some huge headline about Rutland Bank on the front page, and I’m thinking maybe I should at least skim it, when I catch my reflection in the window of Denny and George.
I don’t look bad, I think. I’m wearing my black skirt from French Connection, and a plain white T-shirt from Knickerbox, and a little angora cardigan which I got from M&S but looks like it might be Agnes B. And my new square-toed shoes from Hobbs. Even better, although no one can see them, I know that underneath I’m wearing my gorgeous new matching knickers and bra with embroidered yellow rosebuds. They’re the best bit of my entire outfit. In fact, I almost wish I could be run over so that the world would see them.
It’s a habit of mine, itemizing all the clothes I’m wearing, as though for a fashion page. I’ve been doing it for years – ever since I used to read Just Seventeen. Every issue, they’d stop a girl on the street, take a picture other, and list all her clothes. “T-Shirt: Chelsea Girl, Jeans: Top Shop, Shoes: borrowed from friend.” I used to read those lists avidly, and to this day, if I buy something from a shop that’s a bit uncool, I cut the label out. So that if I’m ever stopped in the street, I can pretend I don’t know where it’s from.